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Joerg Bader in collaboration with Jorge Bravo
Born in 1955 in Switzerland, lives and works in Barcelona and Geneva
Joerg Bader is art critic, and has been appointed director of Geneva Centre de la Photographie in 2001. He regularly writes in Kunstforum International, Art Press and reports on French radio France Culture. He was curator of some large exhibitions like «Decoraz(i)òn» (1998/99, Tecla Sala, Barcelone); he is currently working on two projects for 2003, «Don’t look now» (Le Fresnoy, Lille, France) et «Regreso del exilo» (Cento Andaluz de Arte Contemporaneo, Sevilla, Spain). His program introduces new Spanish video artists:
Ana Laura Alaez, Dance & Disco I, 2000, 5 min. 15, Pilar Albarracin, Musical Dancing Spanish Dolls, 2000, 3 min. 25, Prohibido el cante, 2000, 7 min., Eugenio Ampudia, Desnudo, 1998, 30 sec., Leopoldo Ferran & Augustina Otero, Gira-Bira, 2001, 7 min., Campanilla, Circo Domestico, 2001, 30 sec., Oriol Font, Superman Lives in Madrid, 2001, 3 min. 30’’, Ropa y complementos, 2000, 2 min. 50’’, Dora Garcia, Heart Beat, 2000, 12 min., Juande Jarillo, Primer termino, 2001, 2 min. 20’’, Valeriano Lopez, Estrecho Adventure, 1996, 6 min., 20, Mireya Masò, Garden’s Delights, 2001, 11 min., Josep Maria Martin, The Crocodile Tamer, 2001, 7 min., Sergio Presgo, Tetsuo Bound to Fail, 1998, 9 min., Igñio Royo, Muro de Aguas, 1997, 7 min., Manuel Saiz, Video Hacking, 1999, 5 min., Deinterlaced, 2000, 6 min., Pierre Weiss, She Will Walk Only (When not bid to), 1999, 4 min. 20, Hell, 2000, 3 min. 25.
A.-L. Alaez, Dance & Disco I
Annette Kosak
Born in 1968 in Munchen Germany, lives in London.
Curator and artist, Annette Kosakis currently post-graduating at Goldsmith College University in London; she worked for the Centre for Contemporary Images in 2000, curating two events mixing music, films, videos and perfromances related to a retrospective exhibition of Michael Snow’s work.
«Free Pulse is an alive space that shifts between video, slide projection, sound and live perfromance.» A.K.
Liam Gillick, Pain in a Building, 1999, 5 min. (audiovisual slide projection), Mikko Canini, Damian, 2000, 30 sec., video, Pil & Galia Kollektiv, Jelly Bikers from Hell, 2001, 3 min. 30, video, Giorgio Sadotti, My-Thanh Hoessle & Karim Bhorania, Listening to Giorgio Sadotti read extracts from “The Observer” and “The Independent”, Newspapers on Sunday 3 August 1997 in Basle Switzerland, 1998, 3 min. (extrait, video), Mikko Canini, Moira, 2000, 30 sec., video, Pil & Galia Kollektiv, Punk Movie, 2000, 2 min. 20, video, Julie Ault & Martin Beck, Interchange (Payed 2X), 2000, 5 min., video, Mikko Canini, Danny, 2000, 30 sec., video, Giorgio Sadotti, Tim Eastop Listening...., 1998, 3 min, (extrait video), Mikko Canini, Regan, 2000, 30 sec, video, Giorgio Sadotti, Midori Nishizawa, Listening to ...., 1998, 3 min. (extrait vidéo), Liam Gillick, Pain in a Building, 1999, 5 min., (audiovisual slide projection), Szuper Gallery, Circus Artists Under the Big Top: Clueless, 2001, 9 min., video, Pil & Galia Kollektiv, Blood and Xerox, 2001, 3 min. 40, video, Invasion of the Terrorbots, 2000, 2 min. 30, video, Ben White, Night Fever, 2001, 2 min. 55, cd audio, ZZClap, Clapping Music (Steve Reich), 1972, 5 min., live.
René Pulfer
Born in 1949, lives and works in Basle, Switzerland.
Artist, curator and professor at the Schule für Gestaltung in Basle, René Pulfer is also a collector of video tapes; in the 80’s, he was the organiser of «Video Wochen im Wenkenpark» at Riehen, near Basle. His carte blanche consists of a series of musical shows of the mid-60’s German television, called «Beat Club», directed by Michael Leckebusch, that were remarkable for their liberty in style and in use of every technical possibility then given by video. This caarte blanche will be in memoriam Micahel Leckebush, recently deceased.
Beat Club
Cristina Ricupero
Lives and works in Paris, Helsinki and London
Freelance curator in Paris, Cristina Ricupero is currently working in Helsinki at NIFCA and in London where she is co-director of ICA.. She curated «Social Hackers» in Helsinki and Geneva in 2001; she cooperated with Fabrice Hybert for the French Pavillon that won the Lion d’or Venice Biennial in 1997.
Mark Leckey, We Are (untitled), 2001, projection en boucle, Parking Lot, 1999, installation dans l’espace public, Are You Waiting, 1996, vidéo en boucle sur moniteur.
Stephen Vitiello
Born in the USA, Stephen Vitiello lives and works in New York
A musician and an artist; he participated in the exhibition «Bitstreams» at the Whitney Museum in 2001; he often worked with artists such as Dara Birnbaum, Nam June Paik or Tony Oursler. As a curator, he proposed «Young and Restless» at the MoMA in 1997, as well as the sound program related to the exhibition «The American Century: Art and Culture 1950-2000» at the Whitney in 2000. His carte blanche will concentrate on young New York artists.
Vitiello presents Return to Psychedelevision a selection of recent videotapes and performance documentation by New York City and New York State-based artists. These are works that combine electronic sound/image experiments with forms of abstraction. In some cases, the artists have utilized original tools that were built 25 years ago—vintage video and audio synthesizers maintained by the Electronic Television Center, a residency center in Owego, NY and the Institute for Electronic Art at Alfred University, Alfred, NY.
Aaron Miller, Segments of a One Hour Performance, 2001, 10 min. (extrait), Soundlab, Tilt, 2001, 3 min., Fred J. Szymanski, Retentions 1-4, 2000, 18 min. 30, Andrew Deutsch, Aurora Borealis, 1998, 8 min., Ursula Scherrer, murmeln, 2001, 7 min. (extrait), Andrew Deutsch, Eye Piece, 2001, 10 min., Seth Price, Primitive Technology (Binary Code), 1998, 1 min. 30, Anney Bonney, Cascadence, 2001, 3 min. 50, Gisela & David Gamper, See Hear Now: Visible Music, 2001, 10 min.
Soundlab, Tilt
Klara Wallner
Born in Germany, lives in Berlin
Klara Wallner is an independant curator, founded the «art-club berlin» in 1997. Since 1999, she has been producing «come in and find out», video compilations with catalogues. Her carte blanche will focus on the works by Christian Jankowski.
In April 2001, Lars Kraume, film director, shoots «Viktor Vogel, Commercial man», a feature film about a business man working for an advertising agency, who steals ideas from his young artist girlfriend Rosa. In state of inventig fake artistic works and projects for the Rosa character in the movie, Kraume asked jankowsi if he could make use of two of his works, namely «Die Jagd» and «Mein Leben als Taube». Jankowski makes a deal: he will lend his works if he can make a new one using the actors, sets and situations of Kruame’s movie. Thus jankowski developped a new video «Rosa», in which he asks questions to the actors/characters in the movie, mixing up every difference between film and reality. The carte blanche shows the video works by jankowski as well as the trailer of the commercial movie.
Christian Jankowski: Die Jagd, 1992/1997, 1’11, vidéo, Mein Leben als Taube, 1996, 5’41,vidéo, Rosa, 2001, 8’54, DVD, Lars Kraume: trailer of Victor Vogel - Commercial Man, 2001, 1’34, Betacam SP.
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