7 février au 30 mars 2008 / vernissage le mercredi 6 février dès 18h
Marie José BURKI (Switzerland / 1961)
VIDEO INSTALLATIONS
En mettant en relation langage et image, Marie José Burki interroge le théâtre de nos représentations et de nos mémoires dans le rapport équivoque à un monde saturé d'images. Ce n'est que dans les interstices, dans les intervalles, dans les respirations suggérées par les juxtapositions et leurs écarts, que le travail artistique de Marie José Burki nous révèle une perception du réel. Les images représentent souvent un regard en attente d'un événement qui n'arrive pas. Par des mouvements de caméra qui déambule dans des fragments de paysage ou des scènes statiques, les images effleurent le visible plutôt que ne le révèlent.
26 – 28 February 2008
Déambuler: à propos d'une collection/PROJECTIONS
A l'occasion de l'exposition dédiée à Marie José Burki, nous présenterons une programmation de vidéos et de films d'artistes, dont les premiers travaux de Marie José Burki, coproduits par le Centre pour l'image contemporaine. Une thématique traverse l'œuvre de Marie José Burki : la déambulation. Celle qui permet au regard de flâner et de construire une fiction, un imaginaire à travers les rêveries. C'est aussi l'idée de déplacement des formes, des concepts, et en fin de compte de soi-même. Dans ce déplacement, le sujet est en errance de lui-même ; c'est précisément lorsque le corps est en situation d'avoir à trouver sa place que cette dernière notion se dissout. C'est cette aspiration à trouver notre place qui nous motive à nous mouvoir. Pour reprendre la formule de Jean-Luc Nancy : Je bouge lorsque je ne suis pas là où je suis. 1
1 Jean-Luc Nancy and Abbas Kiarostami, L'Evidence du film.
UNE SÉANCE :
Prix normal : 10.-
Prix réduit: 6.-
12 - 14 March 2008
The Decorative film program / SCREENINGS
Carte blanche given to Philippe-Alain Michaud
When we stop thinking of the movie screen as a window onto a fictive depth in order to see it as a surface on which to inscribe things while favoring the plastic dimension of the film image at the expense of its documentary and realist dimension; when we question the implicit presupposition that makes film the opening of photography to movement and time in order to see in the real shot just one possible application of film, then film will be revealed as less an art of the figure than an art of the field and line, that is, as a decorative device.
(P.-A. Michaud)
General admission: 10.-
Reduced admission: 6.-
1st May - 22 June 2008 / Show opening Wednesday 30 April at 6 p.m.
Miranda Pennell (England / 1963)
I AM / WE ARE
Miranda Pennell initially studied contemporary dance in New York and Amsterdam, before going on to explore movement through the prism of cinema and the motion picture camera. While her film work has slowly led her away from contemporary dance, her interest in performance remains central to her art; space, time, the relationship between the human subject and the camera, and the observation of movement and calm are grasped by a precise and distinct choreographic sensibility.
In You Made Me Love You, 31 male and female dancers play cat and mouse with the camera (John Smith). Meanwhile the troupe of ballet dancers tries to maintain visual contact with the camera. "Losing contact can be a traumatic experience." (Miranda Pennell)
In Drum room she underscores that what is beautiful in a musical performance is also the physical presence of the musician and his or her way of occupying the space—sound as a shape that colors silence.
Alexia Walther (Switzerland / 1974) & Maxime Matray (France / 1973)
L'´ÉTÉ
The two artists' collaboration began with the short film Twist(written and directed by Alexia Walther; music by Maxime Matray), which won 12th Biennial of Moving Images Prize in 2008. Their film draws a parallel between an episode of Julius Caesar's Gallic War and a choreographed summary of the twist's history. The film depicts two defeats, a historic one and a more symbolic one, the defeat of a hypothetical liberation of the body through dance, namely the twist. The word, then the dance, or how the word is made flesh.
Since then Walther and Matray have written and codirected another short film, L'Élan, which is currently in postproduction. Shot in the south of France and situated in the present, the film depicts two men who are going to fight a duel.
A brand-new piece coproduced by the Center for Contemporary Images, once again the result of the two artists' collaboration, will be featured in preview screenings at the Center's Saint-Gervais venue.
27 - 29 May 2008
New english creation
carte blanche given to Miranda Pennell
SCREENINGS
10 - 12 June 2008
1,2,3... Avant-Gardes
Polish Film/Art between Experiment and Archive
SCREENINGS
31 October - 14 December 2008
VERSION bêta
Biennial exhibition ART & NEW MEDIA